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Then they rejoined forces with James Ford, producer of the previous 2 Arctic Monkeys and Last Shadow Puppets albums, in Brooklyn, NY to complete the tracks that became 'Humbug.' 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It captures the powerful sound of this drums and guitar two-piece perfectly. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e1. When The Lights Go Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 10 A.M. Automatic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Just Couldn't Tie Me Down\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. All Hands Against His Own\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Desperate Man\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Girl Is On My Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. The Lengths\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Grown So Ugly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Stack Shot Billy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Act Nice And Gentle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Aeroplane Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Keep Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. 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Tillman has released two widely acclaimed albums – Fear Fun (2012) and I Love You, Honeybear\u003ca data-mce-fragment=\"1\" href=\"https:\/\/megamart.subpop.com\/releases\/father_john_misty\/i_love_you_honeybear\"\u003e \u003c\/a\u003e(2015) – and the recent “\u003ca data-mce-fragment=\"1\" href=\"https:\/\/megamart.subpop.com\/releases\/father_john_misty\/real_love_baby\" title=\"Link: https:\/\/megamart.subpop.com\/releases\/father_john_misty\/real_love_baby\"\u003eReal Love Baby\u003c\/a\u003e” single as Father John Misty, and recently contributed to songs by Beyoncé, Lady Gaga, and Kid Cudi. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSomething like that.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. 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That record was\/is hushed, literate, intimate, melodic: a quiet treasure which, with its unaffected candor and depth, found fans all over. (Entertainment Weekly: “Based in Miami, of all places, [Beam] invests these songs with hypnotic beauty and sparkling melody, making them as accessible as they are affecting.”) Our Endless Numbered Days is the second full-length album from Iron and Wine and it was recorded both at Sam’s Miami home and in Chicago’s Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.) On it, Sam is aided and abetted by regular touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathon Bradley. Listening to Our Endless Numbered Days makes plain Sam’s deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Vinyl LP","offer_id":53401901859129,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":53405518135609,"sku":null,"price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/image_d6a8c56f-35c9-44da-b746-b810c1c40cfb.jpg?v=1646187058"},{"product_id":"black-keys-chulahoma-lp","title":"BLACK KEYS - CHULAHOMA","description":"\u003cspan data-mce-fragment=\"1\"\u003eRecorded by the band in their own Akron, OH studio The Black Keys epitomize DIY. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eChulahoma\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a collection of songs that were originally written by the late Junior Kimbrough, reworked and recorded, The Keys capture the very essence of Juniors style better than any other musician today.  Roomy and sparse in production the drums\/guitar duo fill out every inch of these songs with distorted guitar, drums, and Dan’s soulful vocals.\u003c\/span\u003e","brand":"FAT POSSUM","offers":[{"title":"Vinyl LP","offer_id":52004031332665,"sku":null,"price":21.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":52004031365433,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-1299029-1476270401-7855_jpeg.jpg?v=1579994039"},{"product_id":"black-keys-big-come-up-lp","title":"BLACK KEYS - BIG COME UP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Big Come Up is the debut studio album by the American rock duo The Black Keys, released on May 14, 2002 on Alive Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe vinyl version includes alternate versions of Heavy Soul, She Said She Said.\"Rawboned blues duo the Black Keys hail from Akron, Ohio, but a listen to The Big Come Up suggests the Keys may have been raised by Mississippi ridge-runners. While Dan Auerbach's overdriven ax is powered by the same internal-combustion engine that drove blues legends Junior Kimbrough and Fred McDowell, this is no po-faced retro show. There's Wu-Tang Clan-schooled funk in drummer Patrick Carney's fatback beats, and on the cranked-up \"Countdown,\" Auerbach suppresses a sob with the droll closing couplet, \"You stole my heart and damn near drove me mad\/I gotta get back home to my mom and dad.\" From the truthfully titled \"Heavy Soul\" to a devolved, choogling cover of the Beatles' \"She Said, She Said,\" this is a righteous choice for rock debut of the year. In a world gone White Stripes crazy, save room in your heart and CD wallet for the Black Keys.\" - Peter Relic\/Rolling Stone\"What frontman Dan Auerbach does is make Leslie West seem like an underrated genius. Moreover, Auerbach has an intriguing vocal delivery: Instead of sounding like a white dude trying to sing like a black guy, he sounds like a white dude trying to sing like some other white dude who's trying to sing like a black guy. Here again, I'm not sure how this became desirable. Cagily produced by untrained drummer (i.e., former guitar player) Patrick Carney, The Big Come Up can essentially be defined by its four strongest songs: \"I'll Be Your Man\" (sort of a pseudo-sexy mid-tempo Otis Redding homage), \"The Breaks\" (sort of a Boss Hog number, I think), \"Leavin' Trunk\" (sort of \"Mississippi Queen,\" minus the sort of), and a better-than-solid Beatles cover (\"She Said, She Said\"). So I suppose nobody is ever gonna accuse these rubber city rebels of being overly creative (it doesn't help that they've picked a name for their band that starts with the word \"The\" and follows with the name of a color). 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Written and recorded over two-plus years in Philadelphia, North Carolina, New York and New Jersey, following almost two years of nonstop touring in support of 2011's Slave Ambient, Lost In The Dream is the outstanding presentation of Granduciel's progression and growth as a songwriter, performer, and producer. 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Turn off the TV and lower the lights. Baltimore duo Beach House have returned with their sophomore full length entitled Devotion. Alex Scally and Victoria Legrand have written eleven delicate pop tunes about love, feeling, and, of course, devotion. Their new album is a surefire antidote to the winter blues. Beach House have developed their craft exponentially since their 2006 self-titled debut. The recording is crisper; the songs are fuller. This is a band that is taking the pop duo format to the limit. The organs, slide guitars and reverb are still there, but Beach House lay out some new sounds for their newest offering. 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This is the journey on which we find Angel Olsen. Olsen’s flight is both upward and inward. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.\"I guess you could say some bold and unexpected things have happened in my life\" Olsen said. \"It feels like part of my writing has come back from the past, and another part of it was waiting to exist.\"All Mirrors gets its claws into you on both micro and macro levels. Of course, there’s that singular vibrato, always so very close - seemingly simple, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly - huge string arrangements and four horsemen bellowing synth swells emerge, propelling the apocalyptic tenor. Throughout All Mirrors, Angel fully lets in the goth tones that always lurked at the ends of her song craft.\"In every way - from the making of it, to the words, to how I feel moving forward - this record is about owning up to your darkest side,\" Olsen said. \"Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more.\"The first step of All Mirrors, was conceiving a back-to-basics solo record, which she recorded with producer Michael Harris in Anacortes, Washington. Soon after that was completed, a more ambitious version of the album began to percolate in her mind. 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With \u003cem\u003eInfest the Rats' Nest\u003c\/em\u003e, add thrash metal to that list.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInfest \u003c\/em\u003efollows this year’s earlier release \u003cem\u003eFishing For Fishies\u003c\/em\u003e, possibly the most streamlined album of the group’s career, with another musical left turn as the band dons their old Exodus and Overkill t-shirts and wrecks proper mid-‘80s havoc over the course of half an hour. Shimmering guitars and jazzy flutes are replaced with overdriven Marshall stacks and galloping double bass drums. 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