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The Fruit is for Everyone\u003c\/span\u003e","brand":"Everloving","offers":[{"title":"10th Anniversary Color Vinyl","offer_id":49226689315129,"sku":"","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-4226392-1359070800-1339_jpeg.jpg?v=1580340877"},{"product_id":"arctic-monkeys-suck-it-a-see-lp","title":"ARCTIC MONKEYS - SUCK IT AND SEE","description":"\u003ci\u003eSuck It and See\u003c\/i\u003e\u003cspan\u003e, Arctic Monkeys fourth album, features 12 songs produced by James Ford at the legendary Sound City Studios in Los Angeles. With \u003c\/span\u003e\u003ci\u003eSuck It and See\u003c\/i\u003e\u003cspan\u003e the band perfectly mesh their hard and soft sides. The album is lyrically their most verbose since their record-breaking debut \u003c\/span\u003e\u003ci\u003eWhatever People Say I Am, That's What I'm Not\u003c\/i\u003e\u003cspan\u003e. From shimmering opener \"She's Thunderstorms\" to the brilliantly buoyant \"Black Treacle\" through to perfect closer \"That's Where You're Wrong,\" Alex Turner brings an articulate melodic swagger to the proceedings.\u003c\/span\u003e","brand":"DOMINO","offers":[{"title":"Vinyl LP","offer_id":51095737729337,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51095739367737,"sku":null,"price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-2915645-1309979205_jpeg.jpg?v=1752026806"},{"product_id":"arctic-monkeys-humbug-lp","title":"ARCTIC MONKEYS - HUMBUG","description":"\u003cspan\u003e'Humbug,' the 3rd album from Sheffield's Arctic Monkeys finds the band brimming with vim, vigor and new ideas. They brought in a new production accomplice, Josh Homme, for some of the recording. He generously hosted and produced tracks with them at his Joshua Tree studio. Then they rejoined forces with James Ford, producer of the previous 2 Arctic Monkeys and Last Shadow Puppets albums, in Brooklyn, NY to complete the tracks that became 'Humbug.' The album is stunning set of songs both heavier and lush than previous albums but still full of the Monkeys usual punch and vitality.\u003c\/span\u003e","brand":"DOMINO","offers":[{"title":"Vinyl LP","offer_id":51095757521209,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51095758307641,"sku":null,"price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-1895502-1399197353-9482_jpeg.jpg?v=1752026816"},{"product_id":"arctic-monkeys-am-lp","title":"ARCTIC MONKEYS - AM","description":"\u003cspan\u003eArctic Monkeys release their fifth album, entitled \u003c\/span\u003e\u003ci\u003eAM\u003c\/i\u003e\u003cspan\u003e. \u003c\/span\u003e\u003ci\u003eAM\u003c\/i\u003e\u003cspan\u003e was produced by James Ford and co-produced by Ross Orton at Sage \u0026amp; Sound Recording, LA and Rancho De La Luna, Joshua Tree. The album was engineered by Ian Shea and mixed by Tchad Blake. Josh Homme, Pete Thomas and Bill Ryder-Jones all make guest appearances on \u003c\/span\u003e\u003ci\u003eAM\u003c\/i\u003e\u003cspan\u003e as do the words of John Cooper Clarke, on the track \"I Wanna Be Yours.\"\u003c\/span\u003e","brand":"DOMINO","offers":[{"title":"Vinyl LP","offer_id":51096711954745,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51096711987513,"sku":null,"price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-4883062-1474755308-2810_jpeg.jpg?v=1752026818"},{"product_id":"black-keys-rubber-factory-lp","title":"BLACK KEYS - RUBBER FACTORY","description":"\u003cdiv class=\"content-wrap height-restricted\"\u003e\n\u003cp\u003eRubber Factory was recorded by The Black Keys, themselves, in an old tire factory they rented space from in their hometown of Akron, OH on a reel-to-reel recorder w\/ tape that was recycled from old fried chicken commercials that never made it to radio. It captures the powerful sound of this drums and guitar two-piece perfectly. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e1. When The Lights Go Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 10 A.M. Automatic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Just Couldn't Tie Me Down\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. All Hands Against His Own\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Desperate Man\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Girl Is On My Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. The Lengths\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Grown So Ugly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Stack Shot Billy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Act Nice And Gentle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Aeroplane Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Keep Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. 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Smith, Bashy, Kano and Little Dragon.\u003c\/span\u003e","brand":"Warner","offers":[{"title":"Vinyl 2xLP","offer_id":51476193247545,"sku":null,"price":42.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51641411797305,"sku":null,"price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-2440818-1401371040-2624_jpeg.jpg?v=1579908225"},{"product_id":"father-john-misty-pure-comedy-lp-filed-under-fleet-foxes","title":"FATHER JOHN MISTY - PURE COMEDY","description":"\u003cp data-mce-fragment=\"1\"\u003ePure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums – Fear Fun (2012) and I Love You, Honeybear\u003ca data-mce-fragment=\"1\" href=\"https:\/\/megamart.subpop.com\/releases\/father_john_misty\/i_love_you_honeybear\"\u003e \u003c\/a\u003e(2015) – and the recent “\u003ca data-mce-fragment=\"1\" href=\"https:\/\/megamart.subpop.com\/releases\/father_john_misty\/real_love_baby\" title=\"Link: https:\/\/megamart.subpop.com\/releases\/father_john_misty\/real_love_baby\"\u003eReal Love Baby\u003c\/a\u003e” single as Father John Misty, and recently contributed to songs by Beyoncé, Lady Gaga, and Kid Cudi. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. 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This all serves to fuel a version of himself that his self-loathing narcissism can deal with. We see him engaging in all manner of regrettable behavior.\u003c\/p\u003e\n\u003cp\u003e“In a parking lot somewhere he meets Emma, who inspires in him a vision of a life wherein being truly seen is not synonymous with shame, but possibly true liberation and sublime, unfettered creativity. These ambitions are initially thwarted as jealousy, self-destruction and other charming human character traits emerge.  Josh Tillman confesses as much all throughout.\u003c\/p\u003e\n\u003cp\u003e“The album progresses, sometimes chronologically, sometimes not, between two polarities: the first of which is the belief that the best love can be is finding someone who is miserable in the same way you are and the end point being that love isn't for anyone who isn't interested in finding a companion to undertake total transformation with. I won't give away the ending, but sex, violence, profanity and excavations of the male psyche abound.  \u003c\/p\u003e\n\u003cp\u003e“My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons in my own voice.  Blammo.\u003c\/p\u003e\n\u003cp\u003e“This material demanded a new way of being made, and it took a lot of time before the process revealed itself.  The massive, deranged shmaltz I heard in my head, and knew had to be the sound of this record, originated a few years ago while Emma and I were hallucinating in Joshua Tree; the same week I wrote the title track.  I chased that sound for the entire year and half we were recording.  The means by which it was achieved bore a striking resemblance to the travails, abandon and transformation of learning how to love and be loved; see and be seen.  There: I said it.  Blammo.” -Josh Tillman (A.K.A. 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While Dan Auerbach's overdriven ax is powered by the same internal-combustion engine that drove blues legends Junior Kimbrough and Fred McDowell, this is no po-faced retro show. There's Wu-Tang Clan-schooled funk in drummer Patrick Carney's fatback beats, and on the cranked-up \"Countdown,\" Auerbach suppresses a sob with the droll closing couplet, \"You stole my heart and damn near drove me mad\/I gotta get back home to my mom and dad.\" From the truthfully titled \"Heavy Soul\" to a devolved, choogling cover of the Beatles' \"She Said, She Said,\" this is a righteous choice for rock debut of the year. In a world gone White Stripes crazy, save room in your heart and CD wallet for the Black Keys.\" - Peter Relic\/Rolling Stone\"What frontman Dan Auerbach does is make Leslie West seem like an underrated genius. Moreover, Auerbach has an intriguing vocal delivery: Instead of sounding like a white dude trying to sing like a black guy, he sounds like a white dude trying to sing like some other white dude who's trying to sing like a black guy. Here again, I'm not sure how this became desirable. Cagily produced by untrained drummer (i.e., former guitar player) Patrick Carney, The Big Come Up can essentially be defined by its four strongest songs: \"I'll Be Your Man\" (sort of a pseudo-sexy mid-tempo Otis Redding homage), \"The Breaks\" (sort of a Boss Hog number, I think), \"Leavin' Trunk\" (sort of \"Mississippi Queen,\" minus the sort of), and a better-than-solid Beatles cover (\"She Said, She Said\"). So I suppose nobody is ever gonna accuse these rubber city rebels of being overly creative (it doesn't help that they've picked a name for their band that starts with the word \"The\" and follows with the name of a color). 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Written and recorded over two-plus years in Philadelphia, North Carolina, New York and New Jersey, following almost two years of nonstop touring in support of 2011's Slave Ambient, Lost In The Dream is the outstanding presentation of Granduciel's progression and growth as a songwriter, performer, and producer. 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This is the journey on which we find Angel Olsen. Olsen’s flight is both upward and inward. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.\"I guess you could say some bold and unexpected things have happened in my life\" Olsen said. \"It feels like part of my writing has come back from the past, and another part of it was waiting to exist.\"All Mirrors gets its claws into you on both micro and macro levels. Of course, there’s that singular vibrato, always so very close - seemingly simple, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly - huge string arrangements and four horsemen bellowing synth swells emerge, propelling the apocalyptic tenor. Throughout All Mirrors, Angel fully lets in the goth tones that always lurked at the ends of her song craft.\"In every way - from the making of it, to the words, to how I feel moving forward - this record is about owning up to your darkest side,\" Olsen said. \"Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more.\"The first step of All Mirrors, was conceiving a back-to-basics solo record, which she recorded with producer Michael Harris in Anacortes, Washington. Soon after that was completed, a more ambitious version of the album began to percolate in her mind. This second, more maximalist version of All Mirrors evolved slowly with producer John Congleton, arranger Jherek Bischoff, Swiss Army Knife musician\/arranger Ben Babbitt, and a 14 piece orchestra.\"I was determined to keep it bare bones in order to contrast with the not yet recorded full band record,\" Olsen said. \"I wanted to have versions of these songs that are completely raw and real in the way some of my earlier recordings are, so that I could have the choice to play alone or with a band.\" While remaking the album with full production and new collaborators, Olsen developed a new relationship with control. And in that process, she developed an even clearer vision of herself as artist. \"It’s scary to be your own compass, to trust new faces, to be a stranger - but sometimes that’s the only way forward,\" she said. \"When you’ve been in a repetitive cycle so long it’s difficult for anyone to see you as someone who could come out of it. 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Over two previous albums, she gave us reverb-shrouded poetic swoons, shadowy folk, grunge-pop band workouts and haunting, finger-picked epics. MY WOMAN is an exhilarating complement to her past work, and one for which Olsen recalibrated her writing\/recording approach and methods to enter a new music-making phase. As the record evolves, one gets the sense that the \"MY WOMAN\" of the title is Olsen herself, absolutely in command but also willing to bend with the influence of collaborators and circumstances. An intuitively smart, warmly communicative and fearlessly generous record, MY WOMAN speaks to everyone. 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Whereas their 2015 debut album 'The Universe Smiles Upon You' was influenced by 60s and 70s Thai cassettes and compilations of southeast Asian pop, rock and funk, 'Con Todo El Mundo' hops east over India to take inspiration in similarly under discovered funk and soul sounds of the Middle-East, particularly from Iran. Laura Lee explains the album’s title: \"My grandpa would always ask me 'Como me quieres?' ('how much do you love me'?), and he'd only ever accept one response. 'Con todo el mundo' (With all the world).\"Throughout 'Con Todo El Mundo', Laura Lee's melodic low-end theory, Mark's lyrical, free-role guitar lines, and DJ's ever-steady, ever-ready backbeat form something greater than their parts. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result...with all the world.\u003c\/span\u003e\u003c\/p\u003e","brand":"DEAD OCEANS","offers":[{"title":"Vinyl LP","offer_id":51145486958905,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51145486991673,"sku":null,"price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/image_2e13a2da-cc23-47e2-9502-af81e097cb1b.jpg?v=1752025234"},{"product_id":"car-seat-headrest-twin-fantasy-mirror-to-mirror-lp","title":"CAR SEAT HEADREST - TWIN FANTASY","description":"\u003cp\u003eRecorded at nineteen years old on a cheap laptop, you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. 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This is Will’s greatest strength as a songwriter: he spins his own story, but he’s always tell- ing yours, too. Between nods to local details - Harper’s Ferry, The Yellow Wallpaper, the Monopoly board collecting dust in his back seat - he leaves room for the fragile stuff of your own life, your own loves. From the very beginning, alone in his bedroom, in his last weeks of high school, he knew he was writing anthems. 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All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer\/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/span\u003e","brand":"4AD","offers":[{"title":"Vinyl LP","offer_id":51472369549625,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51693118947641,"sku":null,"price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-14272676-1571191306-7834_jpeg.jpg?v=1580330181"},{"product_id":"big-thief-ufof-lp","title":"BIG THIEF - UFOF","description":"\u003cp\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e, F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief and their first on 4AD, set to be released on 3rd May 2019. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e was recorded in rural western Washington at Bear Creek Studios.  In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums.  Having already lived these songs on tour, they were relaxed and ready to experiment.  The raw material came quickly.  Some songs were written only hours before recording and stretched out instantly, first take, vocals and all.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Vinyl LP","offer_id":51178307158329,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51693125468473,"sku":null,"price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-13570466-1556715382-2744_jpeg.jpg?v=1580330273"},{"product_id":"phoebe-bridgers-stranger-in-the-alps-lp","title":"PHOEBE BRIDGERS - STRANGER IN THE ALPS","description":"\u003cp\u003eStranger in the Alps opens with the one-two punch of \"Smoke Signals\" and \"Motion Sickness,\" a pair of songs that highlight Bridgers' abilities. The former, a gorgeous, ethereal tune guided by sparse electric guitar and sweeping strings, toes the line between weary and wistful, using specific anecdotes from its singer to tell its tale. The style highlights the strengths of Bridgers' unique lyric writing perspective: there are overt references to lost idols, canonical pop songs and actual incidents, but her stories unfold through specific, evocative imagery sung in her subtle, confessional style. The latter is perhaps the most upbeat moment on the album and was written on her baritone guitar and discusses a problematic relationship from her past. \"I feel like I'm getting more focused when I write,\" she says. \"My songs are super personal.\"\u003c\/p\u003e\n\u003cp\u003e\"Scott Street\" is a song inspired by East Los Angeles where Bridgers now lives. \"Killer\" is a song originally appearing on her Adams-produced single but is re-recorded here by the album's producer, Tony Berg, with John Doe singing alongside Bridgers. That song in particular inspired her to be more honest in her approach. \"I wanted to be more genuine with my lyrics, and to me that meant being self-deprecating or a little more self-aware, and not using words that just sounded pretty,\" she says. \"I had an epiphany that I can be honest with myself and with other people when I'm writing.\"\u003c\/p\u003e\n\u003cp\u003eElsewhere, Conor Oberst joins her for the duet \"Would You Rather,\" a singer chosen for his unmistakable voice. A Mark Kozelek cover, \"You Missed My Heart,\" ends the album. As with any singer's debut, the songs here comprise a wide swath of Bridgers' life, dating from the oldest, \"Georgia,\" which she calls the most different-sounding on the LP, to the opening pair, which were written after the recording process had already begun. Berg and co-producer Ethan Gruska worked with Bridgers to record in on-and-off stretches in between tours over 2016 at Berg's studio in Brentwood. Phoebe went into the studio with the majority of the material written, however \"Smoke Signals\" and \"Motion Sickness\" were written in a cabin in Idaho, while Bridgers was waiting for a tour to begin. The pair were the last songs written for the LP.\u003c\/p\u003e\n\u003cp\u003e\"I wasn't trying to be too lo-fi, too hi-fi, too self-serious, too disingenuous...I feel pretty confident that I'm finding my voice,\" she says. \"I wanted the album to completely represent who I am and these songs are representative of what I set out to do.\"\u003c\/p\u003e\n\u003cp\u003eAlbum includes printed lyric sheet and a digital download.\u003c\/p\u003e","brand":"DEAD OCEANS","offers":[{"title":"Vinyl LP","offer_id":51144664645945,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51144667463993,"sku":null,"price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-10901377-1506218780-7561_jpeg.jpg?v=1752026211"},{"product_id":"japanese-breakfast-soft-sounds-from-another-planet-lp","title":"JAPANESE BREAKFAST - SOFT SOUNDS FROM ANOTHER PLANET","description":"\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eJapanese Breakfast's 'Soft Sounds From Another Planet' is less of a concept album about space exploration so much as it is a mood board come to life. Over the course of 12 tracks, Michelle Zauner explores a sonic landscape of her own design, one that's big enough to contain her influences. There are songs on this album that recall the pathos of Roy Orbison’s ballads, while others could soundtrack a cinematic drive down one of Blade Runner's endless skyways. Zauner's voice is capacious; one moment she's serenading the past, the next she's robotically narrating a love story over sleek monochrome, her lyrics more pointed and personal than ever before. While 'Psychopomp' was a genre-spanning introduction to Japanese Breakfast, this visionary sophomore album launches the project to new heights.\u003c\/div\u003e","brand":"DEAD OCEANS","offers":[{"title":"Vinyl LP","offer_id":51162045841721,"sku":null,"price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51162045874489,"sku":null,"price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-10518427-1499090034-5468_jpeg.jpg?v=1752026483"},{"product_id":"king-gizzard-the-lizard-wizard-murder-of-the-universe-lp","title":"KING GIZZARD \u0026 THE LIZARD WIZARD - MURDER OF THE UNIVERSE","description":"\u003cspan\u003eThe always fascinating King Gizzard \u0026amp; The Lizard Wizard dig even deeper into weirdo psychedelia on their latest, \u003c\/span\u003e\u003cem\u003eMurder of The Universe\u003c\/em\u003e\u003cspan\u003e. It’s a druggy, ultra heavy affair featuring moments of John Carpenter-esque synths, fantasy movie narration, and of course, tons and tons of heavy metal and sludge guitar. There’s a playfulness to the lyrical content that makes for an interesting juxtaposition with the album’s dark, aggressive melodies, which means there’s something new to discover on every spin. Listening to this raucous, hypnotic LP will send you on one wild trip.\u003c\/span\u003e","brand":"ATO","offers":[{"title":"Vomit Splatter Vinyl LP","offer_id":40126482382902,"sku":"","price":21.99,"currency_code":"USD","in_stock":true},{"title":"2xLP COSMIC CARNAGE (TRANSLUCENT RED\/ BLACK SPLATTER) Vinyl LP","offer_id":47015621984569,"sku":"","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-10445018-1497577956-9251_jpeg.jpg?v=1580335458"},{"product_id":"king-gizzard-the-lizard-wizard-xu-lp","title":"KING GIZZARD \u0026 THE LIZARD WIZARD - INFEST THE RATS NEST","description":"\u003cp\u003eIt would be disingenuous to describe King Gizzard \u0026amp; The Lizard Wizard as being merely “prolific.” “Relentless” is a more accurate word. “Possessed” is even better. Since their 2010 inception, the Australian psych rock band has released a whopping FIFTEEN studio albums (and two EPs for good measure), putting the outputs of fellow garage rockin’ workhorses like Thee Oh Sees and Ty Segall to shame. Such an onslaught of material would be utterly exhausting if not for the band’s varied and constantly changing sonic identity. As a group of seven multi-instrumentalists, KG\u0026amp;TLW have the versatility to deftly incorporate elements of prog, folk, psychedelic soul, and jazz fusion into their Oh Sees-inspired nu-krautrock chug. With \u003cem\u003eInfest the Rats' Nest\u003c\/em\u003e, add thrash metal to that list.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInfest \u003c\/em\u003efollows this year’s earlier release \u003cem\u003eFishing For Fishies\u003c\/em\u003e, possibly the most streamlined album of the group’s career, with another musical left turn as the band dons their old Exodus and Overkill t-shirts and wrecks proper mid-‘80s havoc over the course of half an hour. Shimmering guitars and jazzy flutes are replaced with overdriven Marshall stacks and galloping double bass drums. Guitars chug, trill, and squeal all over the place as the tempo rarely dips below frenzied, especially on songs such as the pounding “Organ Farmer” and excellent album opener “Plan B.” There’s a certain adolescent glee to which King Gizzard attack these rollicking tunes, like a fourteen-year-old guitarist who just discovered hammer-ons and pull-offs for the first time, yet with all the musical dexterity and chemistry that comes from seven dudes playing wacky music together for nearly a decade. At this point it’s hard to imagine what surprising new direction the band could possibly go from here. That being said, King Gizzard hip-hop album incoming?\u003c\/p\u003e","brand":"ATO","offers":[{"title":"Black\/Red Split Vinyl LP","offer_id":40126468685878,"sku":"","price":22.99,"currency_code":"USD","in_stock":false},{"title":"Venusian (Clear\/Black Swirl)","offer_id":40126468718646,"sku":"","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-14035257-1576395225-1884_jpeg.jpg?v=1580335552"},{"product_id":"killers-hot-fuss-lp","title":"KILLERS - HOT FUSS","description":"\u003cspan data-mce-fragment=\"1\"\u003eHot Fuss is the debut studio album by the American rock band the Killers. It was released on June 7, 2004, in the United Kingdom and on June 15, 2004, in the United States. The album is mostly influenced by new wave music and post-punk. Hot Fuss spawned four commercially and critically successful singles: \"Mr. Brightside\", \"Somebody Told Me\", \"All These Things That I've Done\" and \"Smile Like You Mean It\".\u003c\/span\u003e","brand":"Island","offers":[{"title":"Vinyl LP","offer_id":51656185413945,"sku":null,"price":33.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51656185446713,"sku":null,"price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-11155385-1529339141-2099_jpeg.jpg?v=1580336180"},{"product_id":"king-tuff-the-other-lp","title":"KING TUFF - THE OTHER LP","description":"\u003cdiv class=\"product-description rte\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile it would be easy to think of \u003ci data-mce-fragment=\"1\"\u003eThe Other \u003c\/i\u003eas a kind of reinvention for King Tuff, Thomas views the entire experience of the record as a kind of reset that’s not totally removed from what he’s done in the past. “I can’t help but sound like me,” he says. “It’s just that this time I let the songs lead me where they wanted to go, instead of trying to push them into a certain zone. King Tuff was always just supposed to be me. When I started doing this as a teenager, it was whatever I wanted it to be. King Tuff was never supposed to be just one thing. It was supposed to be everything.” \u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr class=\"hr--clear hr--small\" data-mce-fragment=\"1\"\u003e","brand":"Sub Pop","offers":[{"title":"Vinyl LP","offer_id":51178306076985,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-11825915-1523035865-5964_jpeg.jpg?v=1580336471"},{"product_id":"low-double-negative-lp","title":"LOW - DOUBLE NEGATIVE","description":"\u003cp\u003eSince 1993, Alan Sparhawk and Mimi Parker—the married couple whose heaven-and-earth harmonies have always held the band’s center—have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music’s most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTo make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base. Burton recorded Low’s last album, 2015’s Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies.\u003c\/p\u003e\n\u003cp\u003eThis time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, “a hip-hop guy” could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves.\u003c\/p\u003e\n\u003cp\u003eDouble Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive “Quorum.” For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":31668721745974,"sku":"","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0060\/2744\/4291\/products\/R-12508766-1537151405-2901_jpeg.jpg?v=1580338757"}],"url":"https:\/\/www.goingundergroundrecords.com\/collections\/indie-alternative.oembed?page=6","provider":"Going Underground Records","version":"1.0","type":"link"}