In 2009 the band, then known as British Sea Power, were commissioned by the Edinburgh Film Festival to create their own soundtrack for the 1934 quasi-documentary, which they premiered by playing along live during a screening at the event.

A studio version of the album followed in May the same year, while more screening/performances took place at the BFI in London and at cinemas in Brighton and Sheffield, while events were also staged on a series of islands, including Jersey, the Hebrides and a Norwegian islet in the Arctic Circle.

Charting the activities of fisherman based on a remote outcrop in mouth of Galway Bay in western Ireland, Man Of Aran captured a disappearing way of life as Aran’s inhabitants battled daily against the elements to survive, something that chimed deeply with Sea Power’s own curiosity for the past and their urgent, environmentally-driven concerns for the future. The film is a powerful and provocative dramatised documentary from the late American filmmaker Robert J Flaherty. The film was both celebrated and controversial on its release. The film was created from half a million feet of film shot by Flaherty while living closely with the islanders. But Man Of Aran isn’t a straightforward documentary. The ‘family’ at the centre of the film weren’t related, rather a group of islanders cast as the family unit by Flaherty. The fishing expedition for basking sharks which forms the film’s dramatic heart was based around methods that hadn’t been employed on the Aran Islands for decades. Blending reality and staged elements, Flaherty arrived at a compelling document that captures the elemental power of the island’s past and present. The film won the Grand Prix at the 1935 Venice Film Festival and the eminent film critic Pauline Kael described it as, "The greatest film tribute to man's struggle against a hostile nature."

“It’s a wonderful film,” said Sea Power guitarist Noble at the time, “The images vary between huge drama and a brilliant kind of ridiculousness - check out the amazing foot-wide bobbled berets that the fishermen wear. It’s a great look, like a 1930s Irish version of Jack White or Kraftwerk. It’s a film that’s also relevant to the current era – a time when the idea of living a simpler life is in the air. The film shows something I'd like to think I could do, but know I never will.”

The resulting, mainly instrumental score, proved to be a true artistic collaboration that stretched across the decades, earning the group widespread acclaim upon its release, both for the music’s simpatico relationship with the original film and as a stand alone work in its own right.

Declared by The Quietus on release as a “perfect symbiosis that should rightly be regarded as something of an understated classic,” Ireland’s Hot Press called it “Stunning... breath-taking” while NME encouraged listeners to “let it all gloriously wash over you.”

Fans will finally be able to experience that artistic and emotional depth on vinyl with this reissue.